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Showing posts with the label international tango

What I'm Listening to now: Discepolo’s "Uno"

Lyrics: Uno busca lleno de esperanzas el camino que los sueños prometieron a sus ansias... Sabe que la lucha es cruel y es mucha pero lucha y se desangra por la fe que lo empecina. Uno va arrastrándose entre espinas y en su afan de dar su amor... sufre y se destroza hasta entender: que uno se ha quedao sin corazón... Precio de castigo que uno entrega por un beso que no llega o un amor que lo engañó... Vacío ya de amar y de llorar tanta traición... One goes searching full of expectations down the path that had been promised in one’s dreams to one’s desires... One knows the fight’s a vicious and a tough one but one fights it through the bloodshed with a faith that never tires. Time and again one clambers into thorns and in the urge to pledge one’s love suffers and gets destroyed until one learns that one’s been left without a heart at all... One pays it out as the price of being punished for every kiss that never comes or every love that leaves one fooled... too empty then to care and sh...

Villa Urquiza and other styles of Argentine Tango

From: Sergio Vandekier - on the Tango List at tango-l@mit.edu How Villa Urquiza style (Traditional Tango) differentiates itself from the other styles: (in this video). http://www.youtube.com/watch?v=roNnIkrkfAY http://www.youtube.com/watch?v=aXU9nojcFQo Long Steps, Embrace in "V", use of a varying embrace (elastic embrace) close, with little light to open, profuse use of embellishments, elegant erect posture. Elegant formal dressing. Tango walk with a narrow base, the feet brush heels as they pass each other, the foot lands either toe or heel first. Walking on a line with external rotation of the foot. 1 - Milonguero - Cacho Dante - http://www.youtube.com/watch?v=zgWMs0rAcJk Shorter steps, embrace more frontal (where the V is less evident), close embrace only, different degree of elegance, Tango walk with a wider base, the feet are right under the hips, the feet do not brush heels as they pass each other, the foot land flat on the sole, walking on two lines, no external ro...