Skip to main content

Posts

Why is this so difficult?

The floor at Friday night's milonga was enormous. All of the dancers I asked agreed we could have fit a couple of hundred dancers on that floor. Instead we had a few dozen. A nice crowd - but we still had what seemed like acres of room. With all that room you would think there would be no need for any leader to overtake another couple on the pista. (That's what I thought, anyway.) And yet a couple of tangueros not only tailgated and overtook another couple on the right side (the other leader's blind side, which is why you don't do it) - but they overtook many, many couples - practically "lapping"(1) the other dancers on the floor. I couldn't keep the "Are you *&%$# serious?" look off my face when a leader repeatedly got within a few inches of my partner and me (leaving a full 6+ feet between him and the couple behind him), and then passed us. Twice. It's not like we were holding up the line of dance either. We were maintaining the same fe...

Workshops with Javier Rochwarger

Here's a little example of his dancing: Just a (long overdue) quickie summary - What I loved: I loved his focus on the embrace - on locking into your partner (Important caveat: He did not mean *squeezing* your partner!) by keeping your intention forward. One of his classes was labeled "Complex Sequences in Close, and very close, embrace." How could I resist a class with a title like that? And of course the additional two milonga classes made my weekend! One of my dance partners convinced me to sign up for a shared private with him (to work on milonga some more - that was a pretty easy sell) and I'm so glad I did. Javier's focuses (in the classes I took, and in the private): - Embrace, embrace, embrace. - Ways to reduce "play" and bounce between partners (unintentional movement/being out of synch) with a firm (again, not squeezing) embrace and forward-intention connection. - Staying up and forward - not rocking back and away fr...

Teacher Condescension

rant . . . When I'm in a class, or in particular a private lesson, I make a conscious effort to be open to criticism. It's a little bit my Buddhist learning, but it's really a whole lot more about economics. I am paying to learn. Getting defensive wastes time and money. That said, I am also aware that every teacher says something different - often contradicting what the last teacher said. The best advice I received regarding that all-to-common phenomenon, is that the teacher of the class is correct at least for the duration of lesson. After that, you have to decide what works for your body, your situation, and your comfort. So for the duration of the class or lesson, I try very hard to give the benefit of the doubt. So let me repeat (mostly for my own benefit) that I try very, very hard to stay open to criticism. I may not always welcome it with the grace that I would like, but I do try to be a receptive student. I can take a teacher being abrupt, or abrasive - even short t...

Why I Embellish.

Of Silk Purses and Sows' Ears. When I started dancing tango, I had constant problems with my balance. Actually, all tango did was make the problem with my balance more obvious to myself and others. I've always had terrible balance. Much of the problem came from the way that I walked. Both of my ankles and both of my knees have been seriously injured at different times in my life, and as a result I have excessive supination of my ankles and feet. Basically, I walk on the outside edges of my feet. (Read: a little bow-legged.) Not only does it look bad (especially when I'm dancing), but it makes me feel unstable to my partner. Almost more frustrating than that was that I could never seem to express the music the way I was feeling it. I couldn't answer my partner with my body. I felt clunky. Uneven. Ungraceful. And before I looked into correcting my lack of solid technique, it was also making it quite painful to dance. My knees and back were paying the price for poor align...

No Tango Today, Just Phoebe

Of all the things to make me write . . . Such terrible news today. Phoebe Snow has died. An amazing voice and such a beautiful soul, gone too soon. When I was 16, I was sure, as most 16 year olds are, that my mother was from another planet. I was sure she didn't know what I was going through. How bad things were. She couldn't possibly understand what I was feeling. She, by that point I'm sure, had to be tired of trying to get me to talk about things. She just passed by my room and said, 'you may like this.' Phoebe Snow Second Childhood. The whole album played and I listened, trying not to look like I was listening. Like I didn't care. I think I said something like, 'nice voice' or something. I went back to my room, closed the door, and cried and cried. Not out of sadness, but out of relief. Not only did this mean that my mom, patiently building new paths to me, understood. But this woman, who moved (and still moves) my mom in such profound ways, underst...

Still . . .

still here. still dancing. there's been a break in the clouds, but the storm's still hanging around. I breathe in the tandas and it gets me through the week. Just keep on keepin' on. I've run the gamut. A to Z. Three cheers and dammit, C'est la vie. I got through all of last year And I'm here. -- Stephen Sondheim, "I'm Still Here" from Follies .

What Tango is for Me

I'm still catching up. Job changes, recovering from the flu, and so many other things going on have put me way behind in answering comments on the blog, and in email. So please be patient with me as I try to catch up. Meanwhile, I'll be publishing a few things here and there that have been sitting in drafts too long . . . Diary entries 03/07/2011 - Is tango fun? From the free dictionary online: "Fun (noun): A source of enjoyment, amusement, or pleasure." Jantango said in a comment that she does not dance tango because it's fun. "This may come as a surprise, but tango isn't fun for me. It's so much more. Lots of things can be fun for a moment, but then it passes and you want something else to satisfy. Tango does that for me." I am glad that tango does that for Jan, but the implication seems to be that if I'm having fun, somehow I'm not really getting it - not really experiencing true tango. Or maybe I'm not serious enough. ...