El Duende, tango, and the spaces between

These days it's the quiet of tango that's been on my mind. Transitions, the bridge between one moment and the next moment. The expanse of everything and nothing stretched out between one beat and the next.

I've been reading a lot about Lorca's phrase El Duende lately - and el duende found in tango, the music, the dance, the life.

El duende,
the dark notes,
the meloncholy spaces
in between...

The evocation,
found in the pause,
in the "wait"

In the silence, a beat,
a breath
our pulses race
between our fingertips.

A moment more,
and the bridge is crossed.

And from Lorca himself:

PAUSE OF THE CLOCK

I sat down
in a space of time.
It was a backwater
of silence,
a white silence,
a formidable ring
wherein the stars collided
with the twelve floating
black numerals.

from The selected poems of Federico García Lorca

Comments

Tim Ferriss and the Myth of Tango Mastery

Dear tanguero, I feel I should explain my reaction to your comments about Tim Ferriss. It touched a nerve and I didn't really explain my apparent hostility. It was certainly not meant for you. Several people have brought Tim Ferriss to my attention over this past year. I can usually make it a month before his name pops up again. For readers who are unfamiliar with him, he's the author of "The 4 Hour Work Week". He set a Guinness record for the most consecutive tango turns and has competed with his partner, Alicia Monti, at the Tango World Championship . As a social dancer the idea of a tango competition seems absurd. I don't think I will ever understand how something like tango could be judged - or why anyone would want it to be. But I digress. I think the most crucial detail of Ferriss's history, as I relate it to tango, is his winning Wired magazine's "Greatest Self-Promoter of All Time" . If there is any concept more out of synch with social ...

"Proper" Tango Shoes

Periodically someone, usually a man, will be bring up the topic of "proper tango shoes." If he's referring to the problem (and dangers) of trying to dance in flip-flops, or mules, or platform shoes etc., those are definitely valid, and very helpful points to be made. The likelihood of damaging your feet is very high without the proper support of high quality shoes. My problem comes with the idea that the *only* proper tango shoes have 4" stiletto heels on them and fetish-worthy embellishments. (Okay, I'm pretty keen on the embellishments myself.) "goofy ballroomy shoes are a turnoff... get rid of them..." - Alex Tango Fuego (granted this is from 2007), http://alextangofuego.blogspot.com/2007/10/to-dance-or-not-to-dancebrutally.html And, in the comments on a blog post, Anonymous said... " This is a controversial one. If a follower isn't wearing tango shoes then it's usually a good sign she's not particularly good." From Ms. Hedgeh...

Ganchos . . . again . . .

(Image courtesy of Emilie Boudet: http://www.emilieboudet.com) From the Facebook comments on my "Expressing the music or dancing for tables" post: "But adornments can become problematic when they interfere with something I'm trying to do. (I have enough trouble as it is). Some of these are basically harmless and don't really bother me that much. Like some ladies insist on doing a gancho whenever I lead them to step over my leg. I'm mostly amused by this. Some girls just like their ganchos and will seize any opportunity to do one." Predictably, I have several problems with the above behavior. First of all, they aren't "their ganchos" ! The gancho for the follower is led. It is my (nearly fanatical) opinion that it should never be an adornment or something the follower just decides to do on her own . As someone who is now attempting to learn to lead, the last thing I want to see, or heaven forbid feel, is a stiletto heel near my crotch ....

My Tango Diaries

Search This Blog