Skip to main content

No longer a milonga wuss . . .

Life is short and
it's gone in a moment,
in this night it is necessary to live.
In the nostalgic evening parties
the old times return
with this tango that takes us
like a dream with its rhythm.
Old memories, pretty women,
sweet moments from the past.


- UNA NOCHE DE GARUFA
"A night of partying" (1909)
translation by: Alberto Paz


Recently, I was able to arrange carpooling with a tanguero who lives fairly close to me. The only catch is that he stays until the very end of the milongas. So if I wanted a ride, I'd have to stay through La Cumparsita. I have had a bit of a reputation for wimping out around 11:30, so this was going to a challenge. So far I've stayed twice 'til the end of the milonga - the last two Saturdays, in fact. And I wish I'd stuck it out sooner!

By the end of the milonga (for tango dancers in Austin, that usually means 1 or 2am-ish) the crowd has thinned quite a bit, and most of the dancers who are still there are more relaxed, maybe even a little punch-drunk from fatigue, and there's far more laughing and socializing. We're all a bit disheveled, hair flattened to faces, make-up long since disappeared. It's so hot no one thinks the Spanish fans are simply a decorative accessory. Many of the tangueros are on their second or third shirt. We're all dancing a bit rough. We laugh when we make mistakes and we laugh when we do something gorgeous. The more daring music is played this time of night, Nuevo and Neotango, and now that the pressure is off slightly to dance "the perfect tango", we can all be a bit more daring in our dance.

As La Cumparsita plays, a few couples find each other and pair up once again for the last dance. Whether I dance or not to La Cumparsita, I'm always moved by it - no matter how many times I hear it. I can't imagine ever getting tired of it. So how could I have missed out on this experience for so long? Even if I'm too tired to lift my feet to dance, at least I can enjoy the company and the music all the way to the end.

How your notes move me
in this Buenos Aires evening;
let the music intoxicate
to make of a tango a celebration.

- UNA NOCHE DE GARUFA

Comments

AlexTangoFuego said…
I have 45 versions of La Cumparsita - a few are duplicates - four or five are 'best of the best'. I suppose I need to get my ass in the DJ'ing game again...
Anonymous said…
Wow, I thought I was getting a little heavy handed with my La Cumparsita collection - I *only* have 7 versions.
AmpsterTango said…
I only have 24 in my collection. But, More often than not, I stay to the end because like you, I think its fun. I always have to dance to La Cumparsita to cap off my milonga.

Popular posts from this blog

Tim Ferriss and the Myth of Tango Mastery

Dear tanguero, I feel I should explain my reaction to your comments about Tim Ferriss. It touched a nerve and I didn't really explain my apparent hostility. It was certainly not meant for you. Several people have brought Tim Ferriss to my attention over this past year. I can usually make it a month before his name pops up again. For readers who are unfamiliar with him, he's the author of "The 4 Hour Work Week". He set a Guinness record for the most consecutive tango turns and has competed with his partner, Alicia Monti, at the Tango World Championship . As a social dancer the idea of a tango competition seems absurd. I don't think I will ever understand how something like tango could be judged - or why anyone would want it to be. But I digress. I think the most crucial detail of Ferriss's history, as I relate it to tango, is his winning Wired magazine's "Greatest Self-Promoter of All Time" . If there is any concept more out of synch with social

Tango solidarity when it counts . . .

Some fellow tanguera-bloggers and I have been having a wonderful online "conversation" via blogs, Twitter, Facebook and email - about the importance of sisterhood and solidarity. You can find Stephanie's post, here and her follow up here , and then Tangocorazon's here . I was so bouyed by the idea of women bonding, helping and supporting each other that I took some things for granted. I took for granted that it would always be easy, enlightened as I am /*cough*/ to be the sort of consistently nurturing and helpful tanguera that I am (in my head) . The truth? Where the rubber met the road (or rather when the discomfort hit the milonga), I wasn't. Here's a little background that gave me a better perspective on the events at the New Year's Eve milonga. These guidelines appear under the heading " Behavior at the Milonga " on Vancouver Island Tango: " . . . The smaller the tango population, the more 'effort' required from each one of th

"Proper" Tango Shoes

Periodically someone, usually a man, will be bring up the topic of "proper tango shoes." If he's referring to the problem (and dangers) of trying to dance in flip-flops, or mules, or platform shoes etc., those are definitely valid, and very helpful points to be made. The likelihood of damaging your feet is very high without the proper support of high quality shoes. My problem comes with the idea that the *only* proper tango shoes have 4" stiletto heels on them and fetish-worthy embellishments. (Okay, I'm pretty keen on the embellishments myself.) "goofy ballroomy shoes are a turnoff... get rid of them..." - Alex Tango Fuego (granted this is from 2007), http://alextangofuego.blogspot.com/2007/10/to-dance-or-not-to-dancebrutally.html And, in the comments on a blog post, Anonymous said... " This is a controversial one. If a follower isn't wearing tango shoes then it's usually a good sign she's not particularly good." From Ms. Hedgeh