Skip to main content

Making the Honeymoon Last, Part 3

Part 3: Making the Honeymoon Last, for other dancers . . .
The Care and Feeding of New Tangueros/as

NOTE:
I am not a teacher and these are only my thoughts on what appears to work in my own community. I hear a lot of the same advice in other communities, so I'm pretty sure this is pretty applicable stuff. Please feel free to shoot down, comment, argue, debate, add, etc.)

1. From the very beginning, let them know the expectations of the community - the etiquette, floor craft, the ways of doing things, resources they can seek out for info on music, on history, on community affairs. Emphasize the community before the steps. The steps aren't going to keep them in tango - the community experience probably will.
2. Dance with them.
3. Spread the word. Talk them up. Introduce them around. For leaders, if appropriate, let them know who might be most likely to accept their cabeceo. (It's really best to check with potential tangueras beforehand.) And make sure they now how to use the cabeceo.
4. Dance with them.
5. Limit criticism to classes and practicas - and try to keep it encouraging. And of course, encourage them to go to practicas as much as possible.
6. Dance with them.
7. Get them involved in events.
8. Dance with them.
9. Share your experiences - good and bad, enlightening and embarrassing. Empathize.
10. Dance with them.

Comments

Frances R said…
This is a great advice. However I am still at loss about what to do with beginners who refuse to listen. They come with preconceived notions, and insist on doing things their way, and when they fail, they blame the community or the imperfection of the world... or you. :)
Marika said…
Frances - Thank you for your comments! you're right, that is so frustrating. I had a beginner (dancing 2 months) lecture me during the milonga because I didn't follow his (non) gancho lead. ::rolls eyes:: You just have to choose your battles. lol

One relative beginner announced, at a table where two teachers were sitting, that he had had enough classes (3 months worth) and he felt he'd learned all he needed. um. ok. Good luck with that.

It's also hard at times to stay in beginning classes, and/or dance with beginning leaders, when I'm already in pain. I've noticed that my back can really take a beating at times. I do my best, but in the end I have to take care of my own well-being first (emotionally and physically).

Popular posts from this blog

Tim Ferriss and the Myth of Tango Mastery

Dear tanguero, I feel I should explain my reaction to your comments about Tim Ferriss. It touched a nerve and I didn't really explain my apparent hostility. It was certainly not meant for you. Several people have brought Tim Ferriss to my attention over this past year. I can usually make it a month before his name pops up again. For readers who are unfamiliar with him, he's the author of "The 4 Hour Work Week". He set a Guinness record for the most consecutive tango turns and has competed with his partner, Alicia Monti, at the Tango World Championship . As a social dancer the idea of a tango competition seems absurd. I don't think I will ever understand how something like tango could be judged - or why anyone would want it to be. But I digress. I think the most crucial detail of Ferriss's history, as I relate it to tango, is his winning Wired magazine's "Greatest Self-Promoter of All Time" . If there is any concept more out of synch with social ...

"Proper" Tango Shoes

Periodically someone, usually a man, will be bring up the topic of "proper tango shoes." If he's referring to the problem (and dangers) of trying to dance in flip-flops, or mules, or platform shoes etc., those are definitely valid, and very helpful points to be made. The likelihood of damaging your feet is very high without the proper support of high quality shoes. My problem comes with the idea that the *only* proper tango shoes have 4" stiletto heels on them and fetish-worthy embellishments. (Okay, I'm pretty keen on the embellishments myself.) "goofy ballroomy shoes are a turnoff... get rid of them..." - Alex Tango Fuego (granted this is from 2007), http://alextangofuego.blogspot.com/2007/10/to-dance-or-not-to-dancebrutally.html And, in the comments on a blog post, Anonymous said... " This is a controversial one. If a follower isn't wearing tango shoes then it's usually a good sign she's not particularly good." From Ms. Hedgeh...

Expressing music or dancing for tables?

Too much of a good thing? As sort of a follow-up to my thoughts on technique, I've run into a little snag I'd like some feedback. When I get compliments about my embrace, I'm absolutely elated. When someone compliments the way my walk feels, I feel accomplished. Compliments about my musicality - ditto. When I start getting lots of compliments about my foot work, however - I get worried. I shouldn't right? A compliment is a compliment, and should be taken graciously. It's certainly meant as a positive thing. It's a good thing if a dancer's feet are pretty - why else would everyone wear those silly, yet gorgeous, shoes? But like Richard Dreyfuss staring down his plate of mash potatoes in Close Encounters of the Third Kind, I can't help thinking it means something. Something not good. I don't mean like a backhanded compliment - but more like a fear that my priorities have unintentionally shifted. Maybe it's a community thing. Online I very often r...