What is it that you do?

"So, what is this that you do? You don't want to teach. You don't want to perform. You don't want to compete. Yet you're going to South America for it! What are you ever going to do with tango?"
I can't explain and that makes my heart ache.
"I'm just going to dance, grandma - until I can't anymore."

Comments

Chris said…

"I can't explain"

Did you try "I'm doing it for love not money, Grandma" ? :)

December 8, 2011 at 7:38 AM

Marika said…

@Chris - I've tried that explanation and dozens of others, mostly saying roughly the same thing, over the last ~3 years. :-/ Mostly the conversations go like this, http://mytangodiaries.blogspot.com/2009/03/talking-tango-with-nana.html

December 8, 2011 at 10:18 AM

Tim Ferriss and the Myth of Tango Mastery

Dear tanguero, I feel I should explain my reaction to your comments about Tim Ferriss. It touched a nerve and I didn't really explain my apparent hostility. It was certainly not meant for you. Several people have brought Tim Ferriss to my attention over this past year. I can usually make it a month before his name pops up again. For readers who are unfamiliar with him, he's the author of "The 4 Hour Work Week". He set a Guinness record for the most consecutive tango turns and has competed with his partner, Alicia Monti, at the Tango World Championship . As a social dancer the idea of a tango competition seems absurd. I don't think I will ever understand how something like tango could be judged - or why anyone would want it to be. But I digress. I think the most crucial detail of Ferriss's history, as I relate it to tango, is his winning Wired magazine's "Greatest Self-Promoter of All Time" . If there is any concept more out of synch with social

Tango solidarity when it counts . . .

Some fellow tanguera-bloggers and I have been having a wonderful online "conversation" via blogs, Twitter, Facebook and email - about the importance of sisterhood and solidarity. You can find Stephanie's post, here and her follow up here , and then Tangocorazon's here . I was so bouyed by the idea of women bonding, helping and supporting each other that I took some things for granted. I took for granted that it would always be easy, enlightened as I am /*cough*/ to be the sort of consistently nurturing and helpful tanguera that I am (in my head) . The truth? Where the rubber met the road (or rather when the discomfort hit the milonga), I wasn't. Here's a little background that gave me a better perspective on the events at the New Year's Eve milonga. These guidelines appear under the heading " Behavior at the Milonga " on Vancouver Island Tango: " . . . The smaller the tango population, the more 'effort' required from each one of th

"Proper" Tango Shoes

Periodically someone, usually a man, will be bring up the topic of "proper tango shoes." If he's referring to the problem (and dangers) of trying to dance in flip-flops, or mules, or platform shoes etc., those are definitely valid, and very helpful points to be made. The likelihood of damaging your feet is very high without the proper support of high quality shoes. My problem comes with the idea that the *only* proper tango shoes have 4" stiletto heels on them and fetish-worthy embellishments. (Okay, I'm pretty keen on the embellishments myself.) "goofy ballroomy shoes are a turnoff... get rid of them..." - Alex Tango Fuego (granted this is from 2007), http://alextangofuego.blogspot.com/2007/10/to-dance-or-not-to-dancebrutally.html And, in the comments on a blog post, Anonymous said... " This is a controversial one. If a follower isn't wearing tango shoes then it's usually a good sign she's not particularly good." From Ms. Hedgeh

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