Last night's beautiful alternative tango music

Milongas at Dance Institute (hosted by Laura Pellegrino) always have fantastic music - but the alternative pieces are always especially lovely. My favorites from last night:

la valse d' amelie

Nothing Else Matters - Apocolyptica

Loreena McKennitt's Tango to Evora

Comments

Anonymous said…

Thank you for those. I find the occasional 'alternative' tanda interesting and enjoyable. And sometimes suprises by the virulence of those who insist that music at a milonga should not stray too far from the 'Golden Age'. It seems to me there is a place for both.

June 21, 2009 at 11:59 AM

Mari said…

I think although I would be disappointed in a milonga that featured all (or maybe even mostly) alternative tango music, like you Magickwords, I think there's room for both. At our local milongas, alternative pieces are played rather late in the milonga - and I think that's a good time. Sometimes it allows a good change in energy and re-invigorates the crowd. There are those who, I'm sure at every milonga, "sit out" those tandas in mild protest. But they're fairly few in number around here.

June 21, 2009 at 1:38 PM

Ganchos . . . again . . .

(Image courtesy of Emilie Boudet: http://www.emilieboudet.com) From the Facebook comments on my "Expressing the music or dancing for tables" post: "But adornments can become problematic when they interfere with something I'm trying to do. (I have enough trouble as it is). Some of these are basically harmless and don't really bother me that much. Like some ladies insist on doing a gancho whenever I lead them to step over my leg. I'm mostly amused by this. Some girls just like their ganchos and will seize any opportunity to do one." Predictably, I have several problems with the above behavior. First of all, they aren't "their ganchos" ! The gancho for the follower is led. It is my (nearly fanatical) opinion that it should never be an adornment or something the follower just decides to do on her own . As someone who is now attempting to learn to lead, the last thing I want to see, or heaven forbid feel, is a stiletto heel near my crotch ....

"Proper" Tango Shoes

Periodically someone, usually a man, will be bring up the topic of "proper tango shoes." If he's referring to the problem (and dangers) of trying to dance in flip-flops, or mules, or platform shoes etc., those are definitely valid, and very helpful points to be made. The likelihood of damaging your feet is very high without the proper support of high quality shoes. My problem comes with the idea that the *only* proper tango shoes have 4" stiletto heels on them and fetish-worthy embellishments. (Okay, I'm pretty keen on the embellishments myself.) "goofy ballroomy shoes are a turnoff... get rid of them..." - Alex Tango Fuego (granted this is from 2007), http://alextangofuego.blogspot.com/2007/10/to-dance-or-not-to-dancebrutally.html And, in the comments on a blog post, Anonymous said... " This is a controversial one. If a follower isn't wearing tango shoes then it's usually a good sign she's not particularly good." From Ms. Hedgeh...

Expressing music or dancing for tables?

Too much of a good thing? As sort of a follow-up to my thoughts on technique, I've run into a little snag I'd like some feedback. When I get compliments about my embrace, I'm absolutely elated. When someone compliments the way my walk feels, I feel accomplished. Compliments about my musicality - ditto. When I start getting lots of compliments about my foot work, however - I get worried. I shouldn't right? A compliment is a compliment, and should be taken graciously. It's certainly meant as a positive thing. It's a good thing if a dancer's feet are pretty - why else would everyone wear those silly, yet gorgeous, shoes? But like Richard Dreyfuss staring down his plate of mash potatoes in Close Encounters of the Third Kind, I can't help thinking it means something. Something not good. I don't mean like a backhanded compliment - but more like a fear that my priorities have unintentionally shifted. Maybe it's a community thing. Online I very often r...

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